Over the past century, many studies have been devoted to American literature set in Europe and its capitals. Scholars including D. E. Barclay and E. Glaser-Schmidt, Hans-Jürgen Diller, Hanspeter Dörfel, Elisa Edwards, Peter Freese, Walter Kühnel, Henry Cord Meyer, Martin Meyer, Georg Schmundt-Thomas, and Waldemar Zacharasiewicz have focused on Germany’s image in the American imagination, either literary or from a general standpoint of comparative imagology. Yet despite a marked increase in American fiction treating Berlin since its first designation as Germany’s capital (and an overwhelming increase in the past twenty years), few studies have targeted Berlin itself as a setting or image in American literature and popular consciousness. Those which have are almost limited to Jörg Helbig’s very general collection Welcome to Berlin: Das Image Berlins in der englischprachigen Welt von 1700 bis heute and to Christine Gerhardt’s very specific “‘What was left of Berlin looked bleaker every day’: Berlin, Race, and Ethnicity in Recent American Literature.” This paper surveys trends in the development of American literature set in the German capital from around 1900 to the present.